Nikita Mikhalkov - Andrei Smirnov
On freedom, critique and global geo-politics
Film-directors discuss press-freedom in Russia and its consequences.
Cruelty and its twin
"The base of all my films is neorealistic model"
Review of Goran Paskalievic's BURE BARUTA (Greece - Macedonia - Turkey - Serbia) and interview with the director.
Review of Stanislav Govorukhin's THE VOROSHILOV'S LEAGUE SNIPER (Russia).
Norman Bates is dead, but we are not yet
Review of Gas Van Sant's PSYCHO (USA).
The queen is dead
Review of Shekhar Kapur's ELIZABETH (Gr Britain - USA).
Autumn of patriarch
Review of Ian Truell's HAMSUN (Sweden).
Glass painting by Natalya Orlova
Review of animated MOBY DICK (Russia - Gr Britain).
Peculiarities of Belorussian fishing
Review of Igor Volchek's animation PASTORAL (Belorussia).
Console of Hitchcock
Hitchcock as not a thriller-maker, but a Catholical director par excellance.
Old house, old friend
Essay on Lirerary Institute.
My dog's life
Dogs as genuine friends.
Ozu and Dsen
Formula of immortality
Yasujiro Ozu retrospective in Cinema Museum; two articles on his creation.
"Cinema is fiction"
Fragments from interviews with an outstanding Italian film-maker.
Lessons of Moskvin
Recallections of the pupil of the great cinematographer about his teacher.
Romance with Stagnation
Nostalgic article comparing the 70s in Russia and America.
In the direction of mystique
Survey of contemporary Georgian cinema.
The famous film-maker interviewed on the politics of festival juries' decisions.
A great teaser
Interview with one of the movers of DOGMA project.
Captives of predictability
On TV TAFY award.
An empire of their own
Fragments from the book.
About cinema only
Liliana Kavani, Franco Arcalli, Italo Moscati
Beyond the good and evil
Pushkin Cinema Lexicon.